The Recycled Rain Project

Yup. It's that time of year again- The Recycled Rain Project has become my marker for the beginning of summer, and I'm excited to have been invited to participate again this year! The opening reception is this Saturday (June 2), but I'm sharing a few process photos with you here.

Getting started! That mason jar is full of the rain water I captured earlier in the spring.

Getting started! That mason jar is full of the rain water I captured earlier in the spring.

In the warmer weather I move my studio into the garden, and work there as much as I can! I love these timelapse videos to demonstrate process.

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That last video is adding in the details of the bricks on that building in the foreground. It's always hard to know when to stop. I mean, I could work on these paintings forever... only I can't!

Come to The Recycled Rain Project Opening on June 2 to see the finished painting! Show's up through June. 

Working Large

Years ago on a visit to Sayulita, Nayarit, Mexico I'd started this canvas. I had visions of bright colors and capturing the shadows cast by these metal lanterns on my friend's rooftop patio, but on the last day of the trip, the sun didn't cooperate and I brought the canvas home unfinished. The next year, I brought this giant canvas back down with the same vision in mind, yet I couldn't recreate the scene I'd had in my head the previous year, so I brought the giant canvas back to Portland again.

The original inspiration for this painting came from the shadows of these lanterns and cinder blocks.

The original inspiration for this painting came from the shadows of these lanterns and cinder blocks.

Here I am on a rooftop in Mexico getting things started.

Here I am on a rooftop in Mexico getting things started.

Working in Cori's studio. The brightly colored painting on the bottom right, is how this giant painting began...

Working in Cori's studio. The brightly colored painting on the bottom right, is how this giant painting began...

After pondering how to complete this painting, I remembered a sunset dinner I'd had with friends in NYC. Perched on a rooftop on the upper west side, we watched the sun disappear as it changed the light of the sky. Windows and building facaded reflecting back the bright pinks, oranges and purples against an ever darker blue sky, which changed my plan for this painting drastically!

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I'd mostly finished it about two years ago, and it's been hanging unstretched in my basement clay studio. My upcoming show at Symposium Coffee, inspired me to have it stretched while I was in Mexico, so it'd be ready to go when I got home. The funny thing about that... once stretched, that sucker was way too big to fit in my little GTI! Fortunately, I only live a few blocks from I've Been Framed. The trip home went a little something like this...

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Hanging in it's temporary home.

Hanging in it's temporary home.

Now, I need to figure out how to get it to Symposium next week to hang for my show! Too bad Tigard isn't walking distance... 

Please stop by and see my new work at Symposium between February 1-28. Details here.

Making New Micro-Rooftop Gardens

I got to participate in the Mississippi Street Fair last Saturday (July 8) and decided to make some new smaller pieces just for the occasion. The fair came on the heels of my wedding celebration so all the work I created had to be done a mere week before the street fair! Luckily I work best under pressure and was able to crank out about thirty new pieces.

If you've ever wondered how I make my ceramic cityscapes here's a peek behind the scenes. After throwing each piece in brown clay on the potter's wheel, I then paint on two coats of a white slip (that's liquid white clay) before adding color.

Next, I add a couple coats of the base color. The process is identical to adding the white slip, just more colorful!

From here it's on to handpainting each building and sky background, then carving windows and details. You can see snippets of that process on my Instagram page here and

And here is everything at the Mississippi Street Fair!

And here is everything at the Mississippi Street Fair!

Stay tuned for more new artwork and updates on new shows I'll be doing in September.

The Recycled Rain Project 2017: Getting Started

I am honored to be invited to participate in the Recycled Rain Project, for the third consecutive year! If you're unfamiliar with this event, it's a curated show of artwork made using recycled rain water. A percentage of proceeds are donated to a water conservation non-profit (it's been Solve in the past, but I don't know who it is this year). All of the work in the show has to have something to do with water.

Last year I created a Portland cityscape painting with the Willamette River in the foreground. This year I have been pondering Water Towers a lot, and they have been appearing often in my cityscapes so I decided to create a painting to capture that.


Step one: Capture rainwater. Easy enough considering how much rain we've had here in Portland this year.

I decided to try making a diptych this year, since I just scored a great deal on these odd shaped canvases. 

So that's where I left off after my last painting session. Stay tuned for the next post with progress. Do I add windows? More water towers? So many choices to make! Leave a comment and let me know what you think. Feedback always welcome and appreciated. Updates coming soon, but if you're in Portland please come by the opening on June 3rd at the Ford Building on SE Division Street. 

Goals: Apply to Shows

One of my goals this year is to pay more attention to my art. I've finally found myself in a place where I have a great balance between my day job and having enough time to create. It's pretty exciting! So now that I have all this "free time" I'm striving to invest more in making and promoting my own art. 

Besides making time to create, I have also committed to applying to shows. A simple goal of one show application per month seems like a good starting point. For January, I was thrilled to discover the Glean Residency right here in Portland! My friend Marcia invited me to attend a RACC networking event one evening a couple weeks ago, and Glean had a representative there talking about the project. I've linked to their site above, but in a nutshell Glean resident artists are invited to Metro (the Portland dump) for five months to glean materials to repurpose into artwork. How cool is that? I was so excited about the possibilities of this project that I seriously couldn't stop thinking about it! A good problem to have considering the application deadline was just four days after I first leaned of the project.

It was a good push to get me to write a CV, bio, artist statement, and think through a proposal for what I would do if accepted. As much as I am a planner in my day to day life, I am a lot freer in my artwork. I don't plan much, and when I sketch out ideas they seldom translate to a finished piece of work. Instead I spend a lot of time thinking, and then I just... make something! Narrowing down all the possibilities in my head was nearly impossible. At first I thought I'd propose making marionettes! I mean, life sized marionettes made from trash? How cool would that be? But as I sat down to write about what inspires me and what I've been creating recently, I realized that this was a perfect opportunity to push the envelope with my cityscapes. Here's my proposal:

The Glean Residency would allow me to further explore my love of architectural salvage and to create interactive installation art. I’d use the opportunity to collect discarded life affects to build a collection of two and three dimensional cities. I envision this series of individual sculptures and hanging pieces, will stand alone and work together to tell a bigger story, similar to a large scale diorama. I’d like to construct sculptures, mobiles, and “paintings” that represent some of the feelings we experience when visiting unfamiliar places and cultures: the fear of being lost and not grasping the language well enough to ask for directions; impossibly tall buildings looming overhead; the joy of making a wrong turn and discovering something unexpected and wonderful; the contrasting energy of day and night. I’m intrigued by the idea of conveying the energy people bring to a city, without representing them in the art, but inviting the viewer to temporarily become part the piece.

Of course, 86 other people also applied! Portland is so full of talented artists I'm sure the competition will be stiff. Either way I should hear whether I've made it to the interview round in the next couple of days. Here's hoping! In the meantime I'm thinking about making my February application for Art in the Pearl; another long shot, but hey, por que no?